7/10
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Once On This Island (1990)
Flaherty and Ahrens are a very reliable writing team aren’t they? I haven’t heard or seen anything by them that’s been less than good. “Anastasia” is a lovely movie, “Lucky Stiff” was funny, and you can expect positive writeups for “Ragtime” and “Seussical” in the next couple of months. I like that. So what about Continue reading
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Pickwick (1963)
This show channels a considerable amount of English nostalgia, and comparisons with “Oliver!” are appropriate as they both source from Dickens and date from the sixties. But “Pickwick” is far more successfully defined by its title role, which in turn was defined by Harry Secombe, of The Goon Show and a subsequent metric tonnage of Continue reading
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Shenandoah (1975)
1975 is about the back end of what I consider acceptable for the age of a musical these days (it used to be 1970) – so it’s lucky that 1975’s “Shenandoah” (music by Gary Geld, lyrics by Peter Udell, book by them and James Lee Barrett who wrote the screenplay for the James Stewart movie Continue reading
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Singin’ In The Rain (1983)
Hmmm. A prime example of how casual shoppers (or in my case, completist library browsers) can end up with a sub-par product: it turns out that VPL and therefore now I have the 1984 London cast recording of this show, which is short (13 tracks including the overture) and which for no obvious reason includes Continue reading
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Summer Of ’42 (2001)
I really ought not to have liked this show, for the following reasons: And yet. I think that this is actually a very sweet and in-its-way-hypnotic show. My emotion warning sensor went off fairly early on, registering the slow pace and slice-of-life approach as the calm – the very, very long calm – before the Continue reading
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Tom Waits’ Alice (2002)
So you might not know who Tom Waits is: suffice to say he has a voice that makes professional singers wince, but he’s managed to sing with it for forty years without apparent problems, and he has a somewhat eclectic musical output. He’s worked on movie soundtracks and in theatre, most prominently with Robert Wilson Continue reading
Gil Hates Everything 