musical
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On The Town (1944)
OK, things Gil didn’t know about this show: The plot is essentially that Warren G and his homie Nate Dogg are cruising for skirts in the 213, and… wait, what? Well, c’mon, this does sound a bit like “Regulate” only set in the 1940s. Anyway. OK, this is the tale of three sailors on twenty-four… Continue reading
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Once More With Feeling (2001)
OK, I’m going to avoid commenting on the success of the plot aspects of this, because I haven’t watched it, and I see from Wikipedia (which is not the same as wanting to hear from anyone else, in the considerable detail I’m sure could be supplied 😉 that this episode of “Buffy The Vampire Slayer”… Continue reading
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Once On This Island (1990)
Flaherty and Ahrens are a very reliable writing team aren’t they? I haven’t heard or seen anything by them that’s been less than good. “Anastasia” is a lovely movie, “Lucky Stiff” was funny, and you can expect positive writeups for “Ragtime” and “Seussical” in the next couple of months. I like that. So what about… Continue reading
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Pal Joey (1940)
Rodgers. Hart. 1940. And the first musical-theatre antihero, apparently. Based on a novel written as a series of letters from a dodgy nightclub entertainer to his friend. I knew nothing about this, but then I look at the song list. I’ve at least heard of several of the songs here, including “I Could Write A… Continue reading
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Parade (1998)
My introduction to Jason Robert Brown’s songwriting: I was in the audience for the 2005 Voice Of Musical Theatre final when Tom Solomon came out and sang “Big News” as the second of his three songs, and we all stared at one another and said, “Well, fuck, he’s won, hasn’t he?” (He won. Talk about… Continue reading
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Passing Strange (2006)
“I let my pain fuck my ego and I call the bastard art”… It’s difficult to tell exactly what’s going on in this one. From the songs, you can tell that a musician goes off on a journey, taking in Amsterdam, where he spends some time getting high, and he has some relationships which help… Continue reading
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Phantom – The American Musical (1993)
Hmmm. OK. Regular readers will know I have a bit of a blind spot when it comes to Maury Yeston musicals. They just don’t suit me, let’s put it like that. He can definitely write nice music, but I’m not convinced that he can write a gripping musical. This is his version of the Phantom… Continue reading
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The Phantom Of The Opera (1986)
Andrew Lloyd Webber’s “The Phantom Of The Opera”. For my own benefit as much as yours, let me just recap what I’ve thought of ALW shows so far, in three words apiece. Aspects Of Love: WTF. Long. Eh.The Beautiful Game: Strained. Average. Tuneless.Bombay Dreams (he produced it): Percussion. Bollywood. Approved.By Jeeves: Wodehouse. Excellent. Surprising.Cats: WTF.… Continue reading
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Pickwick (1963)
This show channels a considerable amount of English nostalgia, and comparisons with “Oliver!” are appropriate as they both source from Dickens and date from the sixties. But “Pickwick” is far more successfully defined by its title role, which in turn was defined by Harry Secombe, of The Goon Show and a subsequent metric tonnage of… Continue reading